For this body of work, Soundwalk Collective journeyed to Africa to explore the intricacies of Arthur Rimbaud’s most obscure period. After leaving France and what he deemed the ‘western stagnation’, Rimbaud found himself in Harar, Ethiopia – an epicenter of Sufism in Africa. The Soundwalk Collective spent time with the Sufi group of Sheikh Ibrahim to record their music and chants, in the whole region formerly known as Abyssinia.
As with the other albums in the triptych, the Collective searched for hidden, earthy sounds that hold memories and embed existence. For Mummer Love, they also found themselves recording under the tree where Rimbaud photographed the shrine of Sheik Abadir Umar ar-Rida al Harari, the founder of the holy city Harar. These sounds and Sufi chants coexist with Patti Smith’s interpretation of Rimbaud’s poems, as she recites and sings among them in a call and response, sharing the same musical and spiritual space. Smith’s only poem is the title track Mummer Love, written to Rimbaud; her words are rooted in multiple aspects of the self: from the passion of a lover to the care of a mother, and everything in between.
“You obtain connections to other levels of yourself and consciousness, this connection, like poetry, is a universal language. A language of the soul, for the soul.”
"Because we are working with other people’s work, and not just reading it but channelling these people, they become a fourth mind. We are Rimbaud, you, I, and the work."
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